MIcam, Milan, 2020

This project is a spatial design proposal for a Japanese footwear exhibition at a shoe trade fair in Milan. Shoes have long been appreciated as sculptural objects whose beauty emerges from the harmony of their appearance from every angle—front, back, left, and right. This sensitivity to form and composition became deeply embedded in Italian shoe culture. In contrast, Japan traditionally developed footwear called Hakimono, prioritizing functionality and the natural movement of the foot. Rather than visual composition, Japanese footwear evolved as an extension of the body. The concept of the modern shoe was introduced to Japan only in the nineteenth century. This installation translates these traditions into space. The floor is divided into a grid derived from the dimensions of a shoe, within which transparent pyramid-like platforms gradually rise to create a continuous landscape. This composition allows each shoe to be viewed from every side—front, back, left, and right—while maintaining clear sightlines throughout the exhibition. The arrangement creates an intuitive circulation route, encouraging visitors to move freely and discover new perspectives. The resulting environment balances sculptural composition and movement, creating a dialogue between Italian and Japanese footwear cultures.

Photos : Archiee studio